Week 3: Ben Heine

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Ben Heine- Flesh and Acrylic:

I first mentioned Ben Heine in my first post as his work inspired me. I now want to look further into his images and discuss how his work could help with a future theme.





In Heine's 2011 project, he creates abstract acrylic paintings on large canvases. The model's used in these images are forced to blend into the background, covered in paint you can hardly notice the model as they become a part of the paint behind them. This model integrated into the artwork is part of the whole composition, yet is invisible and does not stand out at all. The end result is extremely colorful, powerful and eye catching, yet it is ironic that the model cannot be seen or noticed. Their expression's are monotone, but their body position looks unnatural, as if they were forced to blend in. 
When linking to wider themes and issues, these connotations can reflect on individuality within society. Many people are forced to blend in with society, being unheard and invisible because they do not conform with stereotypes that are most powerful within the community.
A possible idea for my assessment is to also express these emotions using different resources other than paint. Creating a perspective that is not direct, giving the spectator the opportunity to interpret the image in many different ways.

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